Crunch time. Here’s what I’ve been up to:

Mixing the album. Did a mixing meeting with Rob and am back on track with the album. Actually excited about getting it out, which is strange for me. It’s really taking an embarrassing amount of time. You would think this would result in exponential improvements and new material and awesomeness and you would be wrong. Just a lot of coordination and logistic delays.

I’ve been reading a lot about the album being dead and all I can think is: THANK GOD. I’m not sure I ever want to do this again. But what to do instead?

Getting ready for Harvard + the show in Cambridge. Looks like there’ll be a Metafilter meet before and during (and after?) the show on the 12th. I think I’ve got my show pretty much down, new Firewire card = improved stability, blah nerd blah.

The big thing lately has been packing all my gear to get down there. Do you know what a custom guitar flight case costs? I will tell you: around $500. That’s five HUNDRED dollars. It would be cheaper for me to fly to Boston, buy a $250 guitar and throw it in the garbage on my way home. I honestly haven’t ruled that out but for now I’ve ordered an SKB Freedom case which apparently “smells” (read the reviews) but works good.

If my guitar is shattered on the way there, I’ll buy a cheap one for the shows and give it to a homeless person before I leave.

Getting the website ready for the new album. I’ve been re-jiggering all my store stuff for the new album and beyond and that should go live in the next week I hope. Due to lack of sales I’ve decided to drop the OGG format and limit it to MP3 and FLAC. Simpler for everyone. OGG fans can always get the FLAC and convert it as it’s lossless after all. I want to support open formats but I’d rather it not feel like a waste of time, energy and resources.

Last Halloween was our first time trying to go all out on the decorations. This year we extended it out a bunch and improved a lot of little things. Some photos:

Everything went over real good. The black light where we gave out the candy was a big hit. We wound up dragging a big mirror out so that kids could see themselves glowing and they really dug that. You can see more pictures here if you’re interested.

Weird, just got a call from my drummer saying “Turn on the radio! There’s a song called Fake It that sounds like yours but it’s some other band!” I realize I don’t even have a way to listen to radio in the house so I went and looked it up online. It’s Fake It by a band called Seether that I had not heard of.

Sounds pretty different to me, though now I feel like a tool maybe releasing an album in a month or so with Fake It as the first track.

Whooooo.

Looking at their album they also have a song called “Breakdown” too and my album will have “Total Breakdown”. Good thing I never finished my song “FMLYHM (Fuck Me Like You Hate Me)” though or man would I feel stupid!

I played Half Life Episode 2 and Portal over the weekend. EP2 was good, Portal was brilliant (and many props to Coulton for the awesome credits song).

Anyway I was trying to search the Steam forums and you have to prove you’re human by entering a CAPTCHA. I got so many wrong I gave up. Here’s a small sampling:

Can you guys read any of these? I had to check with friends to make sure I hadn’t suddenly become colorblind or something.

Early data points to Valve’s CAPTCHA algorithm sucking and my vision being fine.

We had a good showing last year but we’re gearing up for Halloween 2007. First step is putting up some advertising like this countdown sign that’s now on our front porch. Here it is with the camera flash:

They’re laminated fluorescent posterboard letters with a black light shining on them. The numbers are attached to the board with velcro. The crappy pictures don’t really do it justice, it looks awesome in person. (We stole this whole idea from here, but are proud of how it turned out.)

32 days left!

So last night I met William Gibson. What a super nice man. I was, I think, only slightly to mildly retarded while speaking to him. He said very nice things to me and it was a pretty great and extremely surreal experience. I kept having flashbacks to watching him on Prisoners of Gravity as a teenager.

Aside from the personal meeting, the Q&A itself was inspiring. My ongoing creative struggles seem small and ridiculous when compared with the pressures and ups and downs of a quarter century career largely saddled with the expectations of others.

The only thing keeping me going right now is rainbow puke:

Wow, linked to by William “father of cyberpunk” Gibson:

People sometimes ask what I was listening to during the writing of a given book. For Spook Country, I’ve usually cited the complete ouvre of Drive By Truckers (whom I happened to discover for the first time just as the book was really getting started), and, toward the end, Neko Case’s Fox Confessor Brings The Flood. But I’ve been forgetting Brad Sucks, who I discovered when I was somewhere in the middle. Anesthetic’s remix of “Dirtbag”, in fact, came to have much to do with the tonality of my character Milgrim. I’d drive around and listen to that if I felt I was losing the peculiarly floaty grip that Milgrim required.

I don’t know if I will ever feel any nerd-cooler than this moment.

The Anesthetic remix of Dirtbag is here by the way and it’s by my fellow Magnatune artist c.Layne.

I’m back from Maine. Turns out there was no beard shortage at the American Folk Festival after all.

I’m at the American Folk Festival in Bangor, Maine right now. I’m not performing (as I am all rock dude), merely sweating my balls off in the searing humidity. Anyway they confiscated our apples at the American border, so you can all sleep safe (for now).