| Author | Posts |
|---|---|
| Author | Posts |
| December 18, 2008 at 7:54 pm #6078 | |
|
gerh |
Now I have been trying to cover many of Brad’s Songs but.. |
| June 30, 2009 at 4:34 pm #6079 | |
|
Tolwyn |
I'm hearing antares autotune on the double-track vocal lines (8va octave). And good mastering. Good 3-band compression, from what I can hear, possibly Ozone. |
| June 30, 2009 at 7:26 pm #6080 | |
|
Brad |
The only song I can remember using autotune on is Overreacting. My vocal recording on most tracks — for the basic vocals — usually goes like this: 1. Record several (maybe 5?) takes of the vocal parts (usually I do each section — verse/chorus/bridge separately). 2. Go through the takes and pick out the best one and the second best. 3. Put the best take on one track and the second best on another. 4. Drop the level of the second best track by maybe 6-8db (it's different on most tracks, I adjust it till it sounds subtle.) 5. Run both vocals through a compressor pretty hard. Maybe 6-10db of compression at 5:1 or higher. 6. Usually I'll throw on some tube saturation for some subtle distortion to make my voice a bit dirtier/grittier sounding. 7. I EQ out the low-end (<200 hz) as there's nothing much of value in my voice down there and it gives space to the bass and kick. That's about it. For choruses I'll often add some more doubles, harmonies or octaves panned 50% left and right. Just to make it sound bigger. I haven't used Ozone for anything. I tried it out but it seemed confusing and I could never tell if it was making things sound better or worse. |
| July 1, 2009 at 8:23 am #6081 | |
|
Jamais Vu |
That's pretty cool info…not to mention Brad can sing over anything and make it sound great! |
| July 1, 2009 at 9:29 am #6082 | |
|
Brad |
I now remember Never Get Out obviously has autotune also. |
| July 1, 2009 at 5:24 pm #6083 | |
|
Tolwyn |
Antares can be a GREAT tool; especially for what you do. And if used sparingly, again is a great tool in the ol' box. Here's what I use: Reason, Cakewalk Sonar, Etc. Maudio, K2000, D50, PRS guitars. Your octave higher dubbed tracks are trying to "snap" to a note, so what are you using there? I'm not talking using the thing like Cher… besides, using a vocoder is more "cool" now anyways. Ozone you have to avoid depending upon all the presets. There are hundreds out there, and are good for a baseline, but use it like a multi-rack device. It's a great mastering tool. It's multi-band compressor for mastering is top notch. I kinda do what you do. I have a guide track that has some quick compression and reverb, etc. But when ready to bounce, I keep it dry with compression only. Usually a 3 band compressor. Then I'll normalize it, then compress it again or hard limit depending… What tools do you use? I'm using Adobe Audition 1.5, and pretty soon, Reason's Record (ASIO compliant). Auto-tuning is completely okay to use if it's done vary vary sparingly. I mean, it's great to use to pitch correct in a "nominal" way. I mean, we all know you can sing, so as a tool, you know… :) |
| July 2, 2009 at 9:14 pm #6084 | |
|
Brad |
For high vocals I use a plugin called "voice tweaker". It's a formant pitch-shifter. I think it does some basic autotune stuff as well but I always leave that turned off. I just throw some pitched-up vocals over top of choruses a lot of the time to make it sound more interesting. |
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