Lured by a Metafilter group that plays, I bought Team Fortress 2 and have been playing a bunch. It's very fun, but Team Fortress 2 Karaoke: My Heart Will Go On may be the best mod I've seen:

(via tittergrrl)

I'm not one to be spooked by technology but among my geeky friends the one thing we can still get nostalgic about is hard drives.

For instance: I remember my first hard drive. It was twenty megabytes and that was a large amount of space, at least double what most of my friends had at the time. It was huge and slow and loud and expensive.

Today I saw this external 750GB hard drive (7200RPM + 16MB cache!) on sale for $159.97 CAD.

Huge and cheap, amazing, etc, etc. The kicker hits me when I read: "This Drive Holds: 660 days of around-the-clock MP3 audio". Man. Some sketchy perspective math:

• 660 days around-the-clock is 1.8 years of non-stop music, never repeating a single song.
• That's 15,840 hours.
• That's 990 days or 2.7 years of non-repeating music if we adjust for waking hours.
• 28 of these hard drives full of music would play for 75 years, the average American male's life-span. Again never repeating a song.
• 28 drives (18,627,840 hours of music storage) would cost only $4,464 CAD.
• Digital downloads to fill those drives would cost roughly 370 million dollars.

I wonder how many hours of recorded music are out there. The iTunes Music Store has only 6 million songs in its catalog which would do you for the first 34 years I guess.

I'm nearly all out of CDs of I Don't Know What I'm Doing and have a new album slouching slowly towards release. Thinking about dropping a few grand on plastic discs while I myself have downsized my once large CD collection to about 15 "keepers" is a tough thing to reconcile. It feels stupid.

I think I'm stuck with pressing CDs up for the near future. But what to replace them with?

I'm not sure there's a greater music video than this one of the Edgar Winter Group playing "Frankenstein":

The description is: "Feel ROCK's majesty condensed into 10 short minutes." Here's the play by play:

ryan: we're playing music... in the 70s!
ryan: keytar and sax. and that hair
brad: you can't play BOTH lame instruments! that's MADNESS!
ryan: oh, and he plays the drums too!
ryan: edgar winter is my new chuck norris.

I think Edgar should have worn a wizard hat.

A long time ago I wrote a thing called the Temple of Ego. It was inspired by a few other websites but basically the goal was to aggregate all the data you put out on other services, creating an overall stream of all your activity on the web. FriendFeed just opened to the public and it does just that. It's slick and does what it's supposed to do. I'm at http://www.friendfeed.com/bradsucks/

It's extremely simple but there's a lot of potential here. Searching, filtering, shuttling data from one service to another, openID, trust networks. With a nice simple API a lot of services could be built on top of it. It'd be the new meta-Twitter.

Scott Andrew's new record Save You From Yourself is out. Check it out, he's OG-Internet. Congrats, Scott.

There's a lot of enthusiasm about Guitar Rising -- a "real guitar" version of Guitar Hero. Just to be a stick in the mud I'm calling shenanigans: machine parsing guitar playing has been the holy grail of guitar nerds for quite some time. So unless the authors of this game have figured out something that all those folks working on guitar to MIDI translators for the past twenty years have failed to do, it will probably suck ass. And if they have figured that out, why not sell a multi-hundred dollar plugin to guitarists instead?

Here's a picture I took when I was sorting socks a few months ago:

Look at all these different bastards! What for? Can the human race not agree on a black sock style?

What I'd like is a standardized black sock specification. So I could always buy replacement or additional socks that match the ones I already own. Please: open source community, W3C, Creative Commons -- somebody help make sense of this important issue.

Trent Reznor released some facts about the Saul Williams record he produced and then released digitally for $5 [nin.com]:

Saul's previous record was released in 2004 and has sold 33,897 copies.

As of 1/2/08, 154,449 people chose to download Saul's new record. 28,322 of those people chose to pay $5 for it, meaning: 18.3% chose to pay.

Of those paying,

3220 chose 192kbps MP3 19,764 chose 320kbps MP3 5338 chose FLAC

Thoughts:

• 28,322 * $5 = $141,610 which for a solo artist and zero marketing investment seems pretty decent. Of course partnering with a super famous established artist like Trent helps.
• With 154,449 downloads and earnings of $141,610 that works out to earning $0.92 per download which vastly exceeds all bandwidth costs.
• 154,449 seems like an extremely low number of downloads. The hype for this album was primarily in nerd-centric venues so I'm assuming the majority skipped the ecommerce shit and went straight to torrents for their downloads.
• This isn't counting other digital sales avenues -- did they put it on iTunes? That's where most people are buying their digital music these days, not going direct to the artist's website.
• I think putting such a low limit on what people could pay was a dopey idea. If we're going to be dealing in intangible value, why not let consumers decide for themselves?
• Are there really that many FLAC users out there?

All in all I think it was a success even if they feel disheartened. Trent admits that he spent too much on the record. I'd be interested to know what the costs amounted to. I can't even conceive of spending $40,000 on a record let's say and having $100,000 left over would keep me in beer and guitar strings for another year or two.

Anyone out there using allpeers? I've been wanting a way to easily share MP3s with friends for a while and allpeers seems pretty nice, though I've yet to get it to work in the Firefox 3 beta.

I'm 'frenetic' on there if you'd like to add me and make me listen to your favorite songs.

I've been jealous of Gimme Some Candy for a long time. I've hassled them to let me in but they're not accepting new artists. It's a great idea -- a tip jar with benefits. Supporters can buy items and leave a little message that gets displayed on the artist's homepage.

So I've written and released an open source clone that's pretty easy to set up. It's called Gimme Some Money. The default items are a star, heart and cookie but they can be swapped out. You can see mine (using the default icons) over on the right sidebar.

Requirements: PHP 4+/MySQL & a Paypal account

Update: fixed an IE/Opera bug and updated it to v0.86 (thanks to jason for pointing out the bug).

Hope everyone's having a nice holidays. I'll have a belated open source Christmas present for other artists up here tomorrow when I'm less stuffed full of spätzle, potato dumplings and beer.

That wasn't too miserable. v0.06 of the Brad Sucks Digital Download Store is up with a pretty big overhaul:

• bsdds has its own shopping cart now instead of using paypal's -- should allow alternate payment methods
• zero dollar downloads
• buyer/downloader is now redirected to the download page post-transfer if PDT is turned on in paypal preferences)

The shopping cart needs some CSS love but that'll have to wait as I got things to do.

Holy mother of Christmas I would like one of these Gibson Robot Guitars:

Also please add: unstoppable killing powers.

Just uploaded a new version of the Brad Sucks Digital Download Store. Two big changes:

• No longer requires Amazon S3. Your store files can be local and links will expire after your given duration (mod_rewrite required).
• Variable prices via text input. Previously variable prices could only be selected via a pre-defined list in the drop down. Now buyers can specify whatever they want as long as it's more than zero.

Next stuff I'll be adding:

• Integrate a shopping cart I wrote so that other payment options are possible (Google Checkout/VISA/etc).
• Handle zero dollar downloads.

Hooray for work!

Fantastic optimistic article in Wired by David Byrne about emerging music models: David Byrne's Survival Strategies for Emerging Artists — and Megastars. His conclusion:

No single model will work for everyone. There's room for all of us. Some artists are the Coke and Pepsi of music, while others are the fine wine — or the funky home-brewed moonshine. And that's fine. I like Rihanna's "Umbrella" and Christina Aguilera's "Ain't No Other Man." Sometimes a corporate soft drink is what you want — just not at the expense of the other thing. In the recent past, it often seemed like all or nothing, but maybe now we won't be forced to choose.

As someone doing the 100% DIY thing for years, I've been scouting around for the low to midrange music biz services and been fairly disappointed with the options. Hopefully that'll improve.

The Washington Post has a cute article: The Moby Equation. A helpful sellout guide, taking into account rock and roll ideals, the song's sacredness, the artist's reputation, wealth and time since their heyday.

These days with a PVR and downloading TV from the Internet, television commercials are alien to me. The idea of a song being "wrecked" by a commercial seems like a thing of the past, but I'm often weird about these things.

Marc Orchant has died.

I met Marc when I was in Seattle at Microsoft a few years ago -- he was a super friendly, knowledgeable guy. We kept in contact and he was always passionate about what he was doing and what everyone else around him was doing. He was a guy I had hoped to meet up with again down the road and it's shocking that I won't get that chance.

My best to his family.

One exhaustive search and some tireless tagging later, my sample library dreams are mostly realized. The winner? MediaMonkey 3.0 beta. Voila:

MediaMonkey 3 adds support for multiple genres and a "track browser" similar to the one I like in foobar. It doesn't work exactly as I want -- I'd like to have two genre columns and be able to select, say "drums" and "kick" and have it exclusively display samples that are tagged "drums" AND "kick". But it doesn't -- it shows any that are tagged drums OR any that are tagged kick. But doing keyword or keyword -> album is still a great improvement over simple directory hierarchies.

It's also really helpful rating samples that I use frequently. MediaMonkey 3 also supports multiple libraries, all the file formats under the sun, drag and drop to Ableton Live works good and it's totally free, woooo.

And here for your benefit are the results of my many media player experiences trying to find the right sample organization client:

foobar2000 v0.9.5 - Just... complicated. Need foo_custominfo to handle WAV format genre metadata. Then that data doesn't work in the facets view, etc, etc. I'm sure some foobar hacker could make it do what I want, but I don't have the time or energy.

musikCube - Has facet view, does drag and drop, doesn't do multiple genres.

Winamp - Sort of does what I want with enough wrestling -- though the interface is a little retarded in the mind. But it won't do sample drag and drop to Ableton Live, so you're out.

wxMusic - Crashed reading in my media library and gave me lots of warnings that it couldn't read certain WAV files.

mp3rat - mp3rat only does MP3s I guess. Imagine that.

I just saved you a lot of thankless work. Enjoy!

My gamertag on Xbox Live is chillbaron (it's the opposite of chillbilly) if you would like to add me to your friends thing and destroy.

I started playing Halo 3 solo but god Halo is boring. Please, no more boring cutscenes! Maybe it'll pick up once I try playing co-op as the others did.